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Promises sailor


I had to do, I had to do ... and I have not done anything.
I'm tired, really tired. I need to refresh my mind and my body.

From tomorrow I will. See you in September.

Above, the poster of Dexter, the best show of 2006. Preair of the 2nd season in these days was a welcome surprise.
arrived in Italy in September on FoxCrime.

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apparent vegetative state

Evidently 24HIC left me much more tired than I thought. I came back excited about the experience, but really stuypenda discharge without scricvere and really want to communicate.

The passion is so great, the keyboard and resume today. I want to finish some things left unresolved, as Dear comics (which, after the chat with Ausonia, found new ideas) and the review of JD # 50 .

Meanwhile, only a few comments on 24HIC (direct find it here ). Exceptional newcomers, among the best in all editions. Stumble Folco Bellows, among the youngest one with the most tenacity (also supported by most patient parents), I will be part of the revelation Lucia Gulino .
So many things to say the authors, the sympathy and Akab Burchielli , Bridge-person (because the author already knew him well) and the creativity of Ausonia. The latter in particular has me excited is that as lost as a writer, creating a story that struck me for its surrealist. You can find it here , where the author publishes all its photo-comic stories as well as special guests from outside.

Above image taken from the story of the Ausonia 24HIC - Copyright of claimants

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Bulletin of war - part 2

See how you followed previous post, I inform you sulllo the battlefield.

I have cut off half the army enemy lost 26 kg over 50 to start. All this in eight weeks.

These days I am realizing more and more about how obesity is a depressive-like state. When you're so heavy you go into a loop which is very dangerous and difficult to ignore. You can not move because everything you need effort and, above all, you always feel judged. When you are fat people, when you meet, the only thing they can do and evaluate whether fat-weight loss and your weight becomes the only factor description of your self.

's so stay at home, you'll see on those few, only people who do not judge you and what you do? Ovviamnete eat ... and continues thus, a dog chasing its tail.

Now I'm finding the energy that I thought I did not have: walking, running without a care ... and I invert the loop: the things I used to lose weight, now I make them for pleasure.

Here again the sunshine ...

Back to work: an interview with Steve McNiven to format, and review for John Doe # 50 to finish, as well as preparation for the 24hic . In comes the second part of the reportage comics Dear, I hope to post it before leaving.

Above image taken from Civil War - Copyright of claimants

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24 HIC

The 24 Hour Italy Comics was definitely the most exciting initiative linked to the comic I have ever taken. After spending edition of the Naples 7 and 8 October 2006, Saturday in Florence are the other editors of LoSpazioBianco.it for the edition to be held inside the ' Italy Wave Love Festival . Nearly forty authors with the intention of creating a full 24-page comic in 24 consecutive hours. A challenge against everything else, the time themselves.

I'm not here to explain the details of the initiative (for this I refer you to www.lospaziobianco.it - www.24hic.it ) as well as the emotion in you hand, being versed in the synergy between all the participants that leads to artistic and personal growth. I give only three good reasons for following each edition of the 24 Hour Italy Comics.
1) The 24HIC is a unique moment of creative tension between professional and amateur authors, where everyone is in defiance with others and with himself;
2) Especially for non-professional authors, the 24HIC can essre a serious opportunity to put test their skills before a deadline and, above all, gain visibility in a very gratuitta in a crowded market like the cartoon;
3) If you are fair to those who puts hours and hours at a stand for the signature of your favorite author on a preprinted card or just a little drawing ... you have the opportunity to follow an author at the very moment of creation of an original storira, what are you waiting?

I'll be there, get ready, too.

24 Hour Italy Comics in Italy Wave - 21/22 July Florence
To follow the live: http://diretta-24hic.blogspot.com

Above, the cover of the book dedicated to the first edition of 24HIC - Copyright of claimants

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Zeitgeist



was time. The Smashing Pumpkins
are back.

E 'published a few days Zeitgeist album, which marks the return of the Smashing Pumpkins after 7 years ( Machina II - The Friends and Enemies of Modern Music was published in 2000, only on the internet). Of the original members were only Billy Corgan and Jimmy Chamberlin , while Isha James is gone. D'arcy the other pillars of the group, had already left the group after Adore .

would be difficult to explain the relationship I have with this group, as their songs were the soundtrack of my life for a long time. Fishing among the memories that tie me to the songs of Billy Corgan, I remember a time when the woman he loved sussurai subheading Stand Inside Your Love, finding his emotion.

I approached the new single of Smashing Pumpkins as you approach a woman whose long have you been in love: but the address you are happy with suspicion, almost did not want to be hurt. Then I could not resist and we fell into it. Tarantula is definitely not the epitome of artistic group, but contains those sounds that leave me hopeful. At least not the

Zwan.

PS: Please, take a punch at anyone tell you yet that Billy Corgan as a child he played the brother of SuperVicky .

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Who is the artist?

forum on editorial de LoSpazioBianco.it , a review of issue # 250 of Dylan Dog has spawned a discussion on the role of the cartoonist who now around here. There was talk of

Bruno Brindisi as a draftsman. An excellent draftsman. Probably, with Roi, the best under the Bonelli.

But who is the designer? Brindisi is a disegantore as meaning "absolute ?
Let me explain. For me, the designer is a versatile artist, capable of arousing strong emotions in the reader with his stroke. The artist is a storyteller for images, free to express themselves as they wish to reach the hearts of those who have the book in his hands.

Gipi is a designer. Hayao Miyazaki is a designer. Daniel Clowes is a cartoonist.
The Italian designers who work for major designers are, they are often just " relegated" to illustrate a story made up by others?
You could feel this in a disparaging or derogatory opinion of the Italian designer, but it is not so assolutamante. A designer is just as good if paying their own pencils to others. I will not even say that the only designer "true" is the writer drawing their stories, because would be very limited.

The question I asked myself, just seeing the beautiful designs of Brindisi, it is only " a designer, although exceptional, if he has to make an album according to precise canons (both screenplay, imposed by the publisher) that limit their artistic talent, in the end it 'reduces' to illustrate a story, rather than draw it? .

a last example, we Julia, another comic book published by Bonelli . Berardi, author, claimed by its designers that the star is always drawn in the same way. This is confirmed by the fact that, if we look at Julia, only a trained eye can distinguish different designs. These designers, rather than "draw" Julia, are not "explaining" Julia?

Above, a cartoon from Dylan Dog # 250 - Copyright of claimants

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Bulletin of war

-19 Kg 31 Kg again at dawn. When

fatliquors 50 kg in five years is not a health problem or appetite. It 's just a manifestation of a pain, great pain, something that you can not shake off.

But enough is enough. I think I have atoned enough, it's time to regain normalcy.

Slim at this point in my life is crucial. It is not a question of aesthetics, or more. It is not a health issue, or more. It 's a major step back to the person I was before, which has lost five years ago, 50 kg or more ago.

keep my war. I'm not even halfway through my journey. And there is a new and more difficult battle I want to take ...

reading: last year, just in these days, I came across The Mangione (my review by following the link http://www.lospaziobianco.it/3327 ) of Tonino Benacquista and published by Jacques Fernandez Q Press. The Commissariat Selena is one of the characters that I have found again.

As I read on one of my favorite comics, as is often the signature of a friend of mine, we walk the path of meifumado.

Above, an image from The Mangione - Copyright of claimants

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Fell

The Moon Street police station is to me what the hell is Satan.
In addition, it smells like shit.
Warren Ellis, " Fell. "


This is the sentence which begins with the second Fell volume, surely one of the most compelling reads of this year. A detective is a bit 'out of the ordinary in a city very unusual. To entice them to read, you carry excerpts from my review of Fell # 1 on LoSpazioBianco.it - \u200b\u200b http://www.lospaziobianco.it/3726

The English writer Warren Ellis back to the script splendor of his most famous work, that Transmetropolitan that led him to the forefront of the public. It shares with the great quality to have an original character as a protagonist, "bastard" to the right place, able with his charisma to win the player. Richard Fell, while not sharing anything with apparently Spider Jerusalem, has in common with the future journalists the fascination exerted on the player, resulting from their thoughts and their actions.

If the character of Richard Fell is not already more than enough to make this book worthy of note, the events in which Warren Ellis make it down this volume should not be missed. Stories so surreal to be true, the result of journalistic research documented at the end of the author. Where it comes to reality, the English writer uses his ability to rework key daily events in horror. The result is that the reader can no longer tell where the fiction begins where reality ends and , staying glued to the page.

division in individual, brief episodes proves to be a winning choice. As in fiction, in Fell is possible to distinguish two narrative lines: the rush of each episode, where the secondary becomes the main character in a short cycle of birth and death (narratively speaking), and the slower evolution of the main plot in ' entire volume, one that directly involves the protagonist Richard Fell.
A ' modern architecture, where each carrier is exhausted in the single roll, now adopted by a large number of comic books and has made the fortune of many American TV series of last generation, from CSI to Prison Break. It must be said that in the case of Fell, the discourse functions of the short story is an extreme, since the available space of the narrative is much more restricted (16 pages instead of the usual comics canon 22-24): the can be much better, but even more disastrous.

to underline the particular property " cage" of the table, where in some occasions we find nine vignettes. The choice is not only aesthetic but a double major narrative value. First Division of the page essential for the temporal dimension of the story: not only the player, depending on the sequence of the cartoons were seen as flow time in the story, but puts more emphasis on details that the author and artist wants to put in relief (great cartoons in the first floor), and left to drain more quickly sequences cartoons " identical" (in a manner very similar to that found in "Daredevil " of Bendis and Maleev ).
We could say that the structure is essential for time internal "and" external "of the story, namely that where the story takes place and when it is "perceived " as well as read, the reader.
The division of the table also serves to emphasize certain moments in history, as the picture becomes small and narrow, almost as if the characters " outpour off, the more the reader feels a sense of anxiety and fear of some situation , as if the reader himself to be imprisoned, forced to live the same situation.

Buy it, you will not regret. Since the beginning of 2007 the best money spent on a comic book.

Above, a picture from Fell - Copyright of claimants

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Dear comics (Part 1)


It strikes me that very poster that is at some gas stations, who wants to illustrate the burden of state taxes on the retail price of fuel. Well, I'd love to have a similar event was also present on the Italian comic books.

To understand what is the weight distrubution in the final cost of our comics.

First, let me make outing, because I think the comics are not expensive in Italy. This is a sub-positive effect of two factors:
1) The popular comic strip, in our country, is designed as a product "popular" in all directions, and also in price. That is a book that goes on sale should not cost more than, say, 5 €, except for special niches and special books. The price products more expensive to be in the library, where the "wealthy devotee if he wants to go and buy what they want at the price imposed;
2) the conception that we have in Italy is a by-product of the comic cultural ADDRESS to 90% at a young public that there is little money in his pocket.

That said, do the math.
an album arrives in comic books at a discount on the cover price between 28 and 37%. If the distribution of an accredited to sell 63 % of cover price to the retailer, it means that we take the case a register of € 3.00, the comic books it buys around € 2.00. If we
that the distribution we gain a 15-20% of cover price, it means that the book comes from the publishing house about half of what is sold. To recap:

register cost € 3.00 - € 1.00
gain comics -
gain distribution
€ 0.50 = € 1.50

from which the publisher earns what she needs to continue their work.
The system then provides that costs half of what a book is what is lost in the transition between home publisher and reader.
Consequences:
1) course, with a more equitable redistribution of prices, you could buy more comics;
2) The comic is forced to make fewer copies of new books and Comic Strips in general distribution, because with these prices do not have the economic strength to offset the risk "calculated", but because he has to consider that should cushion the unsold because, remember, you can not do surrender.
I should like to recall the introduction of the system's performance lifted the American comics market by returning the Marvel in surplus after years of red
3) Small publishers can not take off, seen the paltry earnings on each copy, but especially the very low number of copies ordered by distributors.
In the second part of this post I will talk more of the latter with their testimonies.

This sales system, ultimately, leads to a general drying up of the market, which will increasingly depleted, with the passage of time, the only blockbuster of vedita. We continue to talk about ...

Above, an image from Saint Seiya-Copyright of claimants.
has nothing to do with the post, but since we speak of distributions, sued the more "questionable" ...

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eye does not see ...


Have you ever done this quiz? "Which way would you not live without?".
See, I always answered the view. For me, the memories are primarily visual, the feelings come from what I see. This will also be my passion for comics: the text, I always need to associate an image.

Well, my eyes are not exactly the best.

All this preamble to explain the humiliation they face visit with the ophthalmologist. Today, however, was not so bad my doctor told me that for now I have to resort to the transplantation of both corneas (with two "e") but "only" a simple intervention which, I quote, "detach and heal the corneas with a laser vessels that continue to bleed, then reglued the cornea.

For me it was the best news I could give, after 10 days of expectations, doubts and questions.

Now back to see what gives me life ...

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While the web continues the controversy "a small apartment " (the meeting point is now the Blog Recchioni Roberto, one of four authors who Marco Schiavone of BD called "loyalty" ... but I say, we realize?), today I would go and speak against the state of health of Italian comics. And I will do the talking Planeta De Agostini.

In almost a year, the Planeta DeAgostini has become a point of reference for readers of Italian comics, and if the rumors that the loss of partner Shueisha next winter should be confirmation, that is going for the manga readers. After some initial missteps, such as macaroni translations of the first issues of The Adventures of Superman coarse and some errors being revised as "The Dark Knight" in Absolute Dark Knight, now the books of the Planeta both are great in the box that in the translations.
The only thing still shrouded in mystery is the political price at home Planeta stapled "cheap" very expensive compared to competing Panini, paperback or hardcover books at bargain prices.

Why do I say that the Planeta De Agostini is a testament to the health of the Italian comic? Because it makes us understand that this is a market where these investments are, in most cases, repaid. Surely the Italian reader wants a high quality product, but if the house editricenon ignores the request, then do not miss it.
If not, we would not have witnessed in recent months to the return of DC Comics in Italy, and in recent months even on sale, with sales close to that of "colleagues" of the Marvel Italy and even higher for the volumes from library to those of some 100% Marvel.

The editorial policy of Planeta sin'ora proved successful, is not to get to the tie with 3:00 to 4:00 warheads, but to consolidate its market presence with a large number of books from newsstands and bookshops. Here's what it means to get out of the mentality of the province ", a defect that afflicts all too many publishers homegrown. This is also why send in our national library proposals unthinkable in the market as the Absolute. The latest one, just three days ago, contains a reprint of Crisis and a summary. And 'identical to that released in America, but half the price: a case with two hard cover books only € 50 against the U.S. $ 99 edition

me think: how long is that waiting for reprints Marvel decent material?

Above, an image from Crisis of Infinite Earths - Copyright of claimants

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Love Planet Comics, cartoons and other nonsense



You might wonder why I started this blog.
Or maybe you're wondering, but I'll tell you anyway. Because it seems a good way to start.
not born from my desire to talk to me, because I'm pretty shy and I think there might be of interest to very little. Not born from my desire to write about comics, because I'm happy being a contented editor of LoSpazioBianco.it
There, you see, despite not deny that the idea still does not excite me a little, everything comes from here:

http://s3keno.blogspot.com/2007/06/step01-cronologia.html

http://bloggokin.blogspot.com/2007/06/forum-e-rogne.html

http://www.comicus.it/diegozilla/2007/06/l...io.htm # comments

An exchange between authors and publishers, which occurred almost exclusively on the Web, which led to the following considerations:
1) the sadness of the Italian comic book;
2) the blog, as well as the forum for comics, have become among post comments and topic, the main vehicle of communication and Information for "insiders" of comics fans and critics.

was born this blog: to have my say in an informal setting for those who have desire and time to read and listen. And having
hunger Which brings me to a diet made to lose 50 KG (but now "only" 37), are not really suitable for the mood discounts.

Above, an image from Sin City: That Yellow Bastard - Copyright of claimants

empty

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A blog is really sad, so let's start ... Who will shake the 'soul.

course in the interpretation of Dr. House!